The most striking things in Japan are certainly those to whom it is more sensitive and affectionate. Here, that may be the wonderful world of entomology , the manga, japanese big tits (those who go to the bar with only the unicorns, as they are easy to find) and so on and on and so us.
In my case it was that attracted much publicity in Japan, theme so dear to me (see: hated) here in Italy as in the beautiful country we loved. Now enough with the pleasantries and here comes a parade to be followed by a comprehensive commentary on the nature of Japan as never seen, even in response to a post of major of youkosoitalia .
famous metropolis of Japan, you know where this picture was taken?
To these things you add my surprise to find out how do they navigate without street names with a navigation system:
"Al McDonald's , turn right"
no more, I have drawn my conclusions, you do yours, while I continue with the corollary that the nature of Japan. In response to
post (which showed a collection of stones, Suiseki 燧石), which referred to the sensitivity always inherent in the Japanese people for nature, here is my answer.
I believe that the speech on 物 の 合わ れ (mono no aware, the sensitivity of things) is very general and dall'approccio outdated, as those who go to Japan, a scholar of Japanese art, it may become immediately aware of the fact that it is the nature because all of its physical components that interact to affect the heart and mind Nippon (kokoro 心).
Thinking about the urban landscape, and the thousand ways in which Japanese culture is used to bend nature is more a concept of "material" that forms the object and its "poetic traceability" to be loved, to make me understand I will continue to list the terms of the Japanese literature in 1200: utamakura (歌 枕 poetic place names), one of the terms of Kago (歌 语 poetic language).
With these means the Japanese concept of attributing to certain places, in this case, but generically identified as "material", certain properties, qualities or memories (from time to time poetic, religious, ideological or political).
These "materials" can then be sought, used or protected, depending on the popularity that they acquire. A true "advertisements of things that never come to a concept of" love of nature "which is often referred to explicitly or implicitly as part of Japanese culture, as is typically the source West.
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